In the bustling landscape of 20th-century American cities, a unique interplay between architecture, gender, and sexual science emerged, shaping the urban environment in profound ways. M.C. Overholt delves into this fascinating nexus in their upcoming dissertation, “Sex Under Construction: Architecture, Gender, and Sexual Science in the 20th Century American City.”
The fusion of architecture, gender dynamics, and sexual science unveils a captivating narrative of how urban spaces were not just physical structures but also social constructs reflecting societal norms and power dynamics. Overholt’s research sheds light on how these elements intertwined to influence the design and function of cities, offering a fresh perspective on the evolution of urban landscapes.
By exploring the intersections of architecture, gender, and sexual science, Overholt uncovers the hidden layers of meaning embedded in the urban fabric. From the layout of buildings to the design of public spaces, every aspect of the cityscape was imbued with symbolic significance that reflected and reinforced prevailing ideas about gender roles and sexuality.
One of the key insights of Overholt’s dissertation is the role of architecture in shaping and perpetuating gender norms. The design of buildings and urban spaces often reflected and reinforced traditional notions of masculinity and femininity, creating physical environments that either constrained or empowered individuals based on their gender identity.
Moreover, Overholt’s research highlights how sexual science, with its theories and practices related to human sexuality, influenced urban planning and design. Concepts such as sexual hygiene, eugenics, and social control found their way into the architectural discourse, shaping the built environment in ways that were often invisible but deeply impactful.
Through a meticulous examination of archival materials, historical documents, and architectural plans, Overholt uncovers the intricate connections between architecture, gender, and sexual science in the 20th-century American city. The dissertation promises to offer a rich and nuanced understanding of how these seemingly disparate fields converged to shape the urban landscape and the lived experiences of its inhabitants.
In conclusion, “Sex Under Construction” is a groundbreaking exploration of the complex interplay between architecture, gender dynamics, and sexual science in the 20th-century American city. Overholt’s research offers a compelling narrative that challenges conventional interpretations of urban development, inviting readers to rethink the ways in which architecture and urban spaces have been influenced by ideas about gender and sexuality.